
Music journalism is kind of funny these days. And I’m not just talking about that whole overly-pompous/elitist/college essay-ish Pitchfork thing. I mean in general.
I mean, you spend years trying to move beyond this Amazon.com level of writing, where you’re just listing tracks and throwing your relatively useless opinions out there in the highly-sophisticated incarnations of “this roxors” or “this sux.” And you attempt to, you know, BECOME INTELLIGENT on some level just so you can describe this wordly method of life-defining communication we call music to its finest, most infinitesimal detail with enough clever similes and metaphors that the writing not only carries the weight of being accurate, but valid, important, and, if you’re lucky, relevant.
And when you finally reach that point, everything’s like a fucking beautiful dream, and the walls are alive and bleeding with truth and beauty and all the other shit you dreamed of when you were small and thought, “One day, I’m gonna write for a living.”

