Archive for August, 2005

BUT WHAT WOULD FRANK LLOYD WRIGHT SAY?

Music journalism is kind of funny these days. And I’m not just talking about that whole overly-pompous/elitist/college essay-ish Pitchfork thing. I mean in general.

I mean, you spend years trying to move beyond this Amazon.com level of writing, where you’re just listing tracks and throwing your relatively useless opinions out there in the highly-sophisticated incarnations of “this roxors” or “this sux.” And you attempt to, you know, BECOME INTELLIGENT on some level just so you can describe this wordly method of life-defining communication we call music to its finest, most infinitesimal detail with enough clever similes and metaphors that the writing not only carries the weight of being accurate, but valid, important, and, if you’re lucky, relevant.

And when you finally reach that point, everything’s like a fucking beautiful dream, and the walls are alive and bleeding with truth and beauty and all the other shit you dreamed of when you were small and thought, “One day, I’m gonna write for a living.”

Continue reading ‘BUT WHAT WOULD FRANK LLOYD WRIGHT SAY?’

IT’S TOTAL TRASH

Ever since I was young enough to listen to music and actually enjoy it, I’ve had shitty, shitty luck with headphones. During 9th grade, I went through at least three pairs, all of which firmly etched the word “blow-out” in my vocabulary. Other people may be able to hack it, but I just can’t take the bass line of my favorite record sounding like a big wad of abrasive fuzz in my left ear.

One day, while browsing Ultimate Electronics with no apparent purchase in mind (my parents were there for some reason or another, and I tagged along), I found a pair of headphones. These things were fucking amazing. Okay, so they weren’t exactly the sturdiest fuckers in the world, but at Ultimate, they were pumping music through the “try ‘em” copy at full blast, and I couldn’t hear the slightest bit of fuzz. Well, after a few years of those headphones that come with the CD player that break within a month’s time and those little fucking earbuds that not only blow out in less than a week, but simultaneously make you feel like you’re getting an ear infection at all hours of the day, these might as well have been Jesus in headphone form.

These suckers lasted for a year and a half, and that’s a record in my book. And I put them through absolute TORTURE. Assorted journeys in backpacks and suitcases, during which, thanks to my astounding luck, these beauties would receive an occasional direct hit from the pavement, not to mention the several times I’d lend the headphones to my friends only to have them immediately blast the living fuck out of them. “Hey Brad, can I use your headphones?” “Sure!” Cut to the finer points of death metal suddenly becoming audible throughout the entire town.

But for some reason, despite all the abuse, they didn’t break, bend, or (and I say this with a bit of regret) spontaneously combust.

To make an already-long story shorter, Daydream Nation broke my unbreakable headphones.

Continue reading ‘IT’S TOTAL TRASH’

OH. OH. OH. OH. OH. OKAY.

There’s nothing I love more than when indie-rock’s Jesus-like figureheads decide to reincarnate. Is that pitter-patter of little post-rock-feet I hear the sound of Slint reuniting?

Hell, despite how much I love their music, I wasn’t even aware Olivia Tremor Control were still around, let alone performing, what with the collective disintegration of everything Elephant 6-related over these past few years. Then poof! Jeff Mangum, sweet, sweet, tortured, crazy genius of my soul (okay, fanboyish as hell, but I ain’t gonna sit here and pretend that I’m too cool to hold Jeff Mangum on a very, very high pedestal, since he happened to create music that not only spoke deeply to my soul, but pulled it out right out of my body and had its way with it), RETURNED, suddenly appearing at an OTC (gasp!) show and (OMG) singing, for god’s sake.

Of course, I say “RETURNED” with a extra-large bag of salt in tow, for Mangum (whose name I misspell on occasion, but purely for sporting reasons, just like Eliot Smif) has made several similar appearances in Elephant 6-related shows over the past few years (you can read all about it here in this pamphlet), so… yeah. Exciting, but not so much. Wish I was there. *fanboying, fanboying, conspiracy theories, end*

In honor of this incredibly commonplace occurrence, I’m spotlighting an album that’s terribly, terribly difficult to write about, as it’s probably the one album in the history of the universe where EVERYTHING that could be written about it already has been. Yes, I know you’re thinking OK Computer, but that’s different monster – THAT album has had the same shit written about it over and over. No, I’m tackling a much larger behemoth, an album loved near and far for practically every goddamn note etched into the plastic its printed on.

Yeah, yeah, it’s In the Aeroplane Over the Sea.

Continue reading ‘OH. OH. OH. OH. OH. OKAY.’


(written by brad nelson)

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brad@desperationandnoise.com

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